NEW RELEASE FILM REVIEW || Director Kenneth Branagh | Writers Adam Cozad and David Koepp (based on characters by Tom Clancy) | Cinematographer Haris Zambarloukos | Starring Chris Pine, Kevin Costner, Keira Knightley, Kenneth Branagh | Length 105 minutes | Seen at Cineworld Wood Green, London, Wednesday 12 February 2014 || My Rating likeable
I remember when Kenneth Branagh used to make serious awards-bothering films. I watched his four-hour version of Hamlet (1996). Twice. I even watched the two-hour cut as well, for some reason losts to the mists of time. I mean, that was almost 20 years ago now, and it’s to his credit that he doesn’t do that kind of thing anymore, very sensibly having re-focused his talents on fun, hammy roles. There was his wizard in the second Harry Potter film, or his Laurence Olivier in My Week with Marilyn. It would probably be fair to add the Russian oligarch bad guy Viktor that he plays in this film to that list, though what with all his precise financial machinations, it’s a more underplayed role of brooding intensity and clears the way for Chris Pine’s action heroics.
In truth, though, no individual performance does end up dominating Jack Ryan: Shadow Recruit — as far as the title goes, it’s more about the shadow than the recruit. Aside from Branagh, we have Kevin Costner playing the guy quietly running the show, while Keira Knightley is an afterthought of a girlfriend. Amongst all this, Chris Pine has his running-around-making-stuff-happen shtick down from the rebooted Star Trek series, but he’s a curiously inert presence. Part of that is do with the way the film downplays the heroics and the patriotic flag-waving. Sure, he’s trained as a Marine following 9/11 and ten years later, gets the chance to save the day in a frenetic sequence based more-or-less at Ground Zero NYC. Yet his character is more of a back office wonk, tracing financial transactions and trying to explain it to Kevin Costner’s Commander, who — no doubt on our behalf — gamely exhorts Jack to use simpler words. And the final confrontation is between the two men, Jack and Viktor, rather than really about global geopolitics or high finance. It makes for a more interesting central character, I think, but perhaps a less satisfying action movie.
Of course, the character is based on famous Cold War-era conservative Tom Clancy’s gung-ho patriotic spook of the same name, developed over a number of novels (and already adapted into a number of films). If some of the jingoism has been toned down by the British director, then we still get some gloriously old-school villains, what with our
Soviet Russian baddie, meaning a large chunk of the plot takes place in a Moscow whose modern shiny glass-and-steel edifices jostle with the more picturesque charms the film is at pains to present.
No one’s going to try to argue this is a masterpiece, and it has its longueurs. But it does what it needs to do without too much fuss. The style is all fairly straightforward and unshowy. Pine does his stuff, Knightley scrubs up quite well as a (medical) doctor, and Costner broods effectively. And, like the director he is, Branagh plays a character who thinks he’s in control, but just maybe someone will come along and find a hole in his plotting.