LFF: Trudno byt’ bogom (Hard to Be a God, 2013)

BFI London Film Festival FILM FESTIVAL FILM REVIEW: London Film Festival || Seen at BFI Southbank (NFT1), London, Thursday 9 October 2014 || My Rating 3.5 stars very good


© Capricci Films

This last film by Russian director Aleksei German (or Guerman, or Gherman), best known for his 1984 film Moi drug Ivan Lapshin (My Friend Ivan Lapshin), was completed and released posthumously by his wife (and co-screenwriter) Svetlana Karmalita. German is a director with few credits over his long career, and this film too was made over a long period, starting as far back as 2000. It’s an adaptation of a science-fiction novel and indeed shares some elements with it, but the overwhelming sense of period setting is rather more mediæval — the film is set in an alternate universe which is stuck in something more akin to our own so-called ‘Dark Ages’. The stark monochromatic visual world of the film is dominated by mud. There’s mud, blood, faecal matter, sweat and piss everywhere, permeating every shot, utterly inescapable. So dense are these textures that it is in fact very difficult to even follow what the supposed plot is, such that reading the plot summary on Wikipedia made me realise I’d taken almost none of this in. This should probably be a damning excoriation, then, except that the film is such an effective evocation of a thoroughgoing worldview, one of fleshy corporeality in all its excesses. The shots are often carefully choreographed, in what seems like a parade of squalor, as a series of mud-caked faces pass by the camera, often in close-up and frequently breaking the fourth wall, like the camera is moving across a vast Bosch-like canvas, revealing yet further depredations of humanity in extremis. This does mean that what plot there is can be rather hard to decipher, save that the central character is one Don Rumata (Leonid Yarmolnik), a nobleman who even amongst all the filth often manages to keep his white silk shirt spotless, who witnesses and comments on all the squalor he sees, as he searches for a mysterious character called Budakh. Beyond that, I really couldn’t say much, save that it is at its heart a spectacular visual work.


CREDITS || Director Aleksei German | Writers Aleksei German and Svetlana Karmalita (based on the novel by Arkady and Boris Strugatsky) | Cinematographers Vladimir Ilin and Yuriy Klimenko | Starring Leonid Yarmolnik | Length 170 minutes

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