Mia Hansen-Løve is a young French director whose work has been gaining some acclaim on the festival circuit, and this collaboration with her brother Sven apparently springs from his time as a DJ. It’s a sprawling film that charts around 20 years in the life of one central character, Paul (the winsomely smiling Félix de Givry), from 1991 through to 2013, though like most such undertakings he and those around him don’t seem to age markedly (aside from a little stubble and changes of hairstyle here and there). However, this doesn’t seem particularly troubling given the rut of perpetual adolescence he seems to be stuck in, thanks to his career spinning house records at French clubs. To be honest, this isn’t a musical scene of which I have any knowledge, and like most people it begins and ends at Daft Punk (whose twin creators Thomas and Guy-Man have a running gag in the film of being turned away from Paul’s club, due to their level of anonymity). The film does feature appearances from some key musical acts, and includes a brief visit to Chicago, but you hardly need to be au fait with the scene to enjoy the film, as it focuses mostly on Paul and his stunted development and relationships, as well as the rise-and-fall arc of his career. It’s just as well, too, that de Givry is such a likeable screen presence, because for most of the film his character has difficulty dealing with grown-up situations and feelings, and tends to push away those he most cares about. It’s a credit to the director too that such a character in such a setting can still compel, but it does, a beautifully-shot and losely-structured ode to music, and the difficulties inherent in trying to carve out a career within it.
CREDITS || Director Mia Hansen-Løve | Writers Mia Hansen-Løve and Sven Hansen-Løve | Cinematographer Denis Lenoir | Starring Félix de Givry, Pauline Etienne | Length 131 minutes