Historical dramas based in the period during the 1940s when World War II was being fought are hardly rare, but what remains interesting about this piece, newly-restored and extended with material cut after its original release, is that it bases its focus on a German story, and specifically that of a German woman (reputedly based on that of the writer-director’s own mother). In many ways, she is the “pale mother” of the title, an allegorical representation of the country perhaps, and subject to the many whims of fate visited upon it by the men in the story. In the central role is Eva Mattes as Lene, the beautiful young wife of Hans (Ernst Jacobi) at the film’s outset; Hans is not a Party member but when war breaks out is nevertheless conscripted into the Army. Hans’s best friend on the other hand is very much a party apparatchik who gets a cushy job in Berlin and lords it over everyone in a petty way. The film focuses on Lene’s struggle to make it through the wartime period, first in the city and then out in the countryside where it is presumed to be safer. There is no big comeuppance for any of the characters, as they continue to muddle through after the war has ended. Yet for all that it is bleak, and for all that it presents a vision of Germany that is far from optimistic or hopeful, it is still made with a great deal of sensitivity and craft.
Director/Writer Helma Sanders-Brahms; Cinematographer Jürgen Jürges; Starring Eva Mattes, Ernst Jacobi; Length 151 minutes.
Seen at Ciné Lumière, London, Saturday 18 October 2014.