NEW RELEASE FILM REVIEW || Seen at Cineworld Haymarket, London, Wednesday 5 November 2014 || My Rating good
This film, which appears to be largely a family affair (director, producer and editor all hail from the Gilroy family, the first of whom is married to the female lead), is another flourish of retro respect towards the scuzzy lo-fi VHS aesthetics of the 80s, a very literal ‘video nasty’ in many ways, which at certain levels reminds me of Henry: Portrait of a Serial Killer (1990). It’s a character study of Lou (Jake Gyllenhaal, lean, slick of hair and with a stooped shuffle), a low-life criminal and sociopathic grifter just looking for a career, who stumbles into filming real-life crime footage for breaking news items on cable news. In finding his niche, Lou is at some level just exploiting the already dubious ethics of TV news journalism, though in his own work he pushes at these pretty hard, and it doesn’t take long before he’s breaking police lines and moving bodies for a better shot composition. And yet it’s also a subtly twisted satire on management techniques, as Lou takes on the naïve and desperate Rick (Riz Ahmed) as his assistant, lecturing him on being a good employee and deploying all his online business learning in negotiations first with Rick and then with the TV station and its producer Nina (Rene Russo). There are plenty of laughs in fact, though a lot of them are of the excruciatingly uncomfortable variety, as we recognise the intensity of Lou’s delusional beliefs being played out, an unfettered id wreaking havoc with real-life consequences. All this is shot in an immersively lo-fi digital video format (notably by Robert Elswit, a frequent collaborator with Paul Thomas Anderson, and who has in the past inveighed against digital), which gives it all an extra level of discomfiting presence. Ultimately, how the viewer responds is likely to be related to their tolerance for these techniques, not a million miles from the morality plays of Michael Haneke if (thankfully) lacking some of the more acute skewering of audience complicity. It’s certainly a strong directorial effort for Gilroy, and a fine performance for Gyllenhaal.
CREDITS || Director/Writer Dan Gilroy | Cinematographer Robert Elswit | Starring Jake Gyllenhaal, Riz Ahmed, Rene Russo | Length 117 minutes