Criterion Sunday 3: The Lady Vanishes (1938)

Something I love about this film is that a pair of rather camp cricket-obsessed minor characters were so popular that they became big stars and went on to further film and televisual exploits. But this pair (Charters and Caldicott, anxious to return to England to catch the end of the five-day test match) are just one of the delights of this last film by director Alfred Hitchcock before himself travelling on to Hollywood. The premise is that adverse weather has stranded tourists in charmingly fictional Bandrika (a mittel-European land with German architecture, French manners and Italian accents), who must wait for the next day’s train. While aboard, our protagonist Iris (Margaret Lockwood), on a last holiday before returning to get married, loses her elderly travelling companion Miss Froy, to general disbelief. This kicks off a mystery thriller premise — filled with all kinds of colourful minor characters — while always remaining lightly comical in tone, as Iris enlists the aid of another traveller, the musician and amateur ethnomusicologist Gilbert (Michael Redgrave). There’s espionage, nuns, intrigue and a rather silly climactic shoot-out, but it never submits to some of the nastiness of Hitchcock’s later films, though whether Charters and Caldicott eventually get to watch some cricket is something you’ll need to watch the movie to find out.


FILM REVIEW: Criterion Collection
Director Alfred Hitchcock | Writers Sidney Gilliat and Frank Launder (based on the novel The Wheel Spins by Ethel Lina White) | Cinematographer Jack E. Cox | Starring Margaret Lockwood, Michael Redgrave | Length 97 minutes || Seen at home (DVD), London, Sunday 5 October 2014

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