Watching the Criterion Collection in order doesn’t take long to throw up oddities, and I can’t help but feel the influence of a certain more recent Titanic-based drama on the re-release of this older version of the same events. And yet, for all the grubbiness of Criterion’s cash-in timing, there’s a lot to recommend the 1958 “original”, not least its beautifully-toned monochrome lensing, and unflashy way with its ensemble cast. With all the drama of the original events, director Roy Ward Baker and writer Eric Ambler don’t feel the need to add a spurious upstairs-downstairs romance or creaky moustache-twirling melodrama. Of course, there’s still class-based antagonism, as the steerage passengers are more-or-less locked in while the rich folk depart on the life boats — judgement on which is conveyed only subtly. However, overall this is from a far more genteel school of English filmmaking (think Brief Encounter), with all your favourite pip-pip what-ho Downton-style affectations manifested in that stiff-upper-lip stoicism in the face of certain death, which has its own affecting emotional depth, even as we don’t really get much in the way of individual passenger stories. The hero, if there is one, is the Second Officer (Kenneth More), who more or less takes charge as the tragedy unfolds.
FILM REVIEW: Criterion Collection
Director Roy Ward Baker [as “Roy Baker”] | Writer Eric Ambler (based on the non-fiction book by Walter Lord) | Cinematographer Geoffrey Unsworth | Starring Kenneth More | Length 123 minutes || Seen at a friend’s home (DVD), London, Sunday 9 November 2014