This collage of romance-based clips, primarily a selection from British feature films and shorts from across the 20th century (more or less) as well as what looks like home movie footage and other archival sources, is a somewhat slight basis for a feature-length film, but is given extra weight by the prominence given to Richard Hawley’s musical soundtrack. This film then will appeal to fans of his occasionally wistful, sometimes washed-out and fuzz-heavy psychedelic rock, though I had not previously been familiar with his output and I found the experience a pleasant 70 minutes. Without any voiceover or overt framing, the clips themselves subtly suggest a changing century, especially with regards to racial and gay representation, which becomes increasingly obvious, the former as early as Piccadilly (1928) though brought up-to-date with Brick Lane (2007), and the latter with clips going through to My Beautiful Laundrette (1985). Early on we see clips of women robustly fighting off lovers juxtaposed with women posing for photos, suggesting in that case a degree of self-determination, so this is hardly a random assemblage, and it seems to be built up in thematic blocks. That said, it’s easy to just let the score wash over you, and the focus that this affords to what’s happening in the image means that even the more famous films become defamiliarised. This allows the subtext to actors’ glances and movements to become far more recognisable, and it works particulary well with the films given extended treatment by Longinotto’s documentary.
Director Kim Longinotto; Length 70 minutes.
Seen at ICA, London, Tuesday 17 February 2015.