Like many second films in trilogies, this second instalment of Inagaki’s story of 17th century swordfighter and cultural hero Musashi Miyamoto seems to lack a focus, although unlike the first film it heads towards something of a cliffhanger. Musashi travels to Kyoto to pick a fight against a samurai school that is home to his former friend Matahachi, calling out the school’s sensei, though the men there are at first dismissive of Musashi’s talents, drawing him into a massed battle scene once again reminiscent of the denouement of Kurosawa’s Seven Samurai. The film also introduces a challenger to his position of swordfighting dominance with Sasaki Kojiro (Koji Tsuruta), a matinee idol of a man who intitially just follows Musashi warily, intent only on observing him. However, despite the increased number of battle scenes, the heart of the film remains his relationship with the women, primarily Otsu (Kaoru Yuchigusa), who continues to follow him, as well as the younger Akemi, who had tried to tempt him (unsuccessfully) in the first film. Finally, the style changes a little, and though the colours are still vibrant, there seems to be a rather darker tone, not to mention a studio-set feel to proceedings, slightly more stylised than had been the case in the first film. Still it keeps Musashi’s education moving forward, and sets up the third and final instalment nicely.
FILM REVIEW: Criterion Collection
Director Hiroshi Inagaki 稲垣浩; Writers Inagaki and Tokuhei Wakao 若尾徳平 (based on the novel 宮本武蔵 Miyamoto Musashi “Musashi” by Eiji Yoshikawa 吉川英治, and the play by Hideji Hojo 北条秀司); Cinematographer Jun Yasumoto 安本淳; Starring Toshiro Mifune 三船敏郎; Length 103 minutes.
Seen at home (Blu-ray), London, Sunday 28 December 2014.