殭屍 Geung si (Rigor Mortis, 2013)

I mainly wanted to post a quick review here for my New Year’s resolution (it has a female screenwriter), which is the reason I made it along to an 11pm screening of this film (one of only two in London upon its ‘release’ — I guess the distributors are focusing on the home and VOD market). Those who are more knowledgeable about the horror film form may find more to like here than I did, and there’s a hint at some metatextual thought about acting and narratives: the central character is a down-on-his-luck actor, and scenes play on this self-referentiality. For myself, I found it a struggle to stay engaged, and though the effects have a pleasing visual grittiness, they are so manipulated as to suggest more of a comic book, dissipating any sense of terror (again, this is speaking for myself). Still, there is a really tactile sense of decay in the central setting of a crumbling housing estate, and an occasional voiceover monologue suggesting a more deranged Wong Kar-wai film.

Rigor Mortis film posterCREDITS
Director Juno Mak 麥浚龍; Writers Mak, Philip Yung 翁子光 and Jill Leung 梁禮彥; Cinematographer Man-ching Ng 伍啟銘 [as “Ng Kai-Ming”]; Starring Chin Siu-ho 錢小豪; Length 101 minutes.
Seen at Hackney Picturehouse, London, Friday 1 May 2015.

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