The Terminator (1984)

Re-released to cinemas in time for Terminator Genisys‘s upcoming return to the same events, it’s easy to think of this as an Arnie film, or as a James Cameron film — and it is those things (certainly it cemented Schwarzenegger’s stardom, and was Cameron’s breakthrough) — but it’s also a film that centres on Linda Hamilton’s Sarah Connor, as well as being a film co-written by a woman (its producer and Cameron’s wife for the next five years, Gale Anne Hurd). In fact, I’d go so far as to suggest that Arnie’s eponymous character is somewhat peripheral, like a lurking terror, leaving us with a story of two people (Connor and Michael Biehn’s military man Kyle) in a twisted time travel narrative that owes perhaps a little to the modernist Chris Marker short film La Jetée. However, far more than any of those things it’s a shlocky exploitation flick, very much in the Roger Corman mould (one of his favourite actors, Dick Miller, even shows up as a gun shop clerk), a refinement of the kind of things that Cannon Films was putting out during this era. The film’s best lines carry an unmistakable ring of campness (those bouffant 80s hairstyles certainly help), and Arnie’s iconic “I’ll be back” gets a little cheer from the audience I was watching with. It only occasionally overstretches in trying to find deeper meaning, but for the most part it stays on the right side of being a lean and pulpy action film, meaning that it’s aged perhaps a little better than some of its contemporaries.


© Orion Pictures

RE-RELEASE FILM REVIEW
Director James Cameron | Writers James Cameron and Gale Anne Hurd | Cinematographer Adam Greenberg | Starring Linda Hamilton, Michael Biehn, Arnold Schwarzenegger | Length 107 minutes || Seen at Prince Charles Cinema, London, Wednesday 24 June 2015 (and on VHS at home, Wellington, earlier in my life)

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