At a certain level this film by ageing auteurist Peter Bogdanovich seems achingly archaic, a collection of neurotic New York archetypes owing more to a careful study of Woody Allen films (or indeed those of its producers, Noah Baumbach and Wes Anderson) than anything resembling what one might recognise as real life or believable behaviour. Its heroine, Izzy (Imogen Poots, an English actor going for a broad working-class Brooklyn accent, the success of which will probably depend on who’s listening), isn’t much more rounded a one-dimensional muse/prostitute character than Mira Sorvino played in Mighty Aphrodite (1995), and the pecuniary salvation offered by theatre director Arnold (Owen Wilson) is an almost offensively crass rehash of (the hardly any less crass) Richard Gere in Pretty Woman (1990). But that would be to miss the film’s point, as set up by its silent film-like title card invoking the ‘print the legend’ refrain of The Man Who Shot Liberty Valance (1962), just one of many classical Hollywood films Bogdanovich tips his hat towards, i.e. that these are characters who exist solely in a self-referential world of films. That’s not to say it’s a consistent delight, as it still requires the viewer to sit through these hoary clichés (women as wives/mothers/whores, men as desperate cheating cads, a hundred scenarios you’ve seen a hundred times before), however knowingly they’re deployed. And yet there’s a simple pleasure to a lot of it, especially the screwball scenes of characters all converging on the same place in various configurations. There are also some fine performances in roles large and small, as it seems Bogdanovich has quite an address book to call upon — Joanna Lumley gets a credit at the end for a scene that only plays while her name is on screen, while other name actors appear only fleetingly. For me (being hardly a fan of her filmic work), the biggest surprise is probably Jennifer Aniston as a straight-talking psychiatrist (another character only ever found in the movies), who delivers some of the film’s biggest laughs through her energetic mugging. It may not amount to much more than a slight pleasure to anyone watching it, but that doesn’t feel like a failure.
Director Peter Bogdanovich; Writers Bogdanovich and Louise Stratten; Cinematographer Yaron Orbach; Starring Imogen Poots, Owen Wilson, Kathryn Hahn, Jennifer Aniston, Rhys Ifans, Will Forte; Length 93 minutes.
Seen at Olympic Studios, London, Tuesday 14 July 2015.