Argerich (aka Bloody Daughter, 2012)

The family documentary film is a popular genre, and if you have an interesting story to tell, a rewarding one — after all, being related to the subject gives you somewhat privileged access. In this case, photographer Stéphanie Argerich focuses her camera on her famous mother, the concert pianist Martha Argerich, who was born in Argentina but since relocated to Europe. Given the point of view, there’s plenty of detail about Argerich’s relationships and children (Stéphanie’s sisters, the first of whom was raised more or less as an orphan, and only re-entered their lives later on). Through it, one gets the sense of Martha’s single-minded focus on her art — something of an occupational hazard at this level of musical achievement — and her prickliness when she’s the centre of attention. Both as a public figure and as a mother she comes across as uncompromising, but not aloof. To be honest, not being a classical music fan, I didn’t know Argerich’s name, but the archival footage of her is quite astounding, and it seems from what we see that her playing has only become quicker and more forceful with age. However unforced and verité it appears from the handheld camerawork, it’s clearly a carefully structured film, and presents an interesting story from a well-connected viewpoint, incidentally imparting a sense of the peripatetic lifestyle of the concert pianist.


© Idéale Audience/Intermezzo Films

FILM REVIEW
Director Stéphanie Argerich | Cinematographers Stéphanie Argerich and Luc Peter | Length 100 minutes || Seen at home (DVD), London, Tuesday 14 July 2015

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