Criterion Sunday 35: Les Diaboliques (Diabolique, 1955)

Acclaimed as a classic psychological thriller, Les Diaboliques was an inspiration for Hitchcock’s Psycho (he worked another novel by Boileau & Narcejac into Vertigo, after all) and a whole strand of creepy haunting horror films. There’s certainly a tension throughout between the supernatural and the all-too-real, though it’s never in doubt as to what an unpleasant, controlling character headmaster Michel Delassalle (Paul Meurisse) is, simultaneously keeping his wife Christina (Véra Clouzot) in check while carrying on with his mistress Nicole (Simone Signoret). Putting the viewer onside with Christina and Nicole’s plot to do away with Michel is a key to the way the subsequent events play out, and though the end title card may warn against spoilers, the set-up probably seems quite familiar thanks to its influence over subsequent filmmaking. Clouzot is excellent at building suspense through the womens’ plotting and then over the uncanny turn things take when he’s gone, using the shadows in the black-and-white photography to good effect. There’s a nasty streak to the film, but it remains an effective genre exercise, even 60 years on.


FILM REVIEW: Criterion Collection
Director Henri-Georges Clouzot | Writers Henri-Georges Clouzot and Jérôme Géronimi (based on the novel Celle qui n’était plus by Pierre Boileau and Thomas Narcejac) | Cinematographer Armand Thirard | Starring Simone Signoret, Véra Clouzot, Paul Meurisse | Length 117 minutes || Seen at a friend’s home (DVD), London, Sunday 26 April 2015

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