I’ve been reading B. Ruby Rich’s memoirs and essay collection from her time in the 1970s and 1980s as a feminist film critic (Chick Flicks) and as she discusses Sally Potter’s breakthrough film work, I thought it timely to watch her first feature, much though I’ve had the DVD on my shelves for the past five years. It wasn’t exactly a success at the time, and looking at it you can understand why: it defiantly avoids anything commercial or saleable. It’s a deeply impenetrable film with a dissociative editing style that seems to hint at many issues and flirt with many different genres, to the extent that it’s generically unclassifiable. Comments on the packaging call it a sci-fi musical, though it doesn’t have any song setpieces and it’s sci-fi to extent of making our world seem alien. You could add in period drama to the mix pretty easily (the Icelandic landscapes and scenes of panning for gold, along with some ballroom costume sequences), but perhaps it could be called a psychodrama of identity, and what it means to be a woman within the recursive forms of filmed illusionism. I mean, perhaps? I don’t even know for sure, but I do know that I’ll need to watch it again to get some sense. In the meantime, for those looking at it but not following along easily (as I was), it’s a gorgeous film to look at, with some of the most spectacular black-and-white images from any film, thanks to its cinematographer (and Chantal Akerman collaborator) Babette Mangolte.
Director Sally Potter | Writers Lindsay Cooper, Rose English and Sally Potter | Cinematographer Babette Mangolte | Starring Julie Christie, Colette Laffont | Length 89 minutes || Seen at home (DVD), London, Wednesday 19 August 2015