Fidelio, l’odyssée d’Alice (Fidelio: Alice’s Odyssey, aka Fidelio: Alice’s Journey, 2014)

There is, I think, a deceptive forwardness to this film: it’s about the woman of the film’s title (Ariane Labed) who works as a ship’s engineer and is torn between her dependable Danish artist boyfriend Felix, landside, and an old flame, Gaël (Melvil Poupaud), a dashing ship’s captain, while on the sea. The ship’s name then, also part of the title (Fidelio), suggests already the key theme of fidelity, while the drama is presented without a great deal of fuss, and unfolds as one might expect, along with the kind of graphic sex scenes to which you might think censors would have given a higher classification. But it’s not prurient or exploitative, and the fact of her job being what it is and the way she takes pleasure from sex seem like aspects of a narrative which would have been cheered about in a film of 10 or 15 years ago (it shares some kinship with the films of Catherine Breillat in these respects), and which even here are worth acknowledging. That the film requires Labed to be a believable ship’s engineer is somewhat the least of her acting challenges in this film, as instead she needs to negotiate the tricky emotional terrain of having relationships with two men without making this seem like some flighty affectation. In any case, she does so admirably well, making for a fascinating psychodrama.


© Pyramide Distribution

NEW RELEASE FILM REVIEW
Director Lucie Borleteau | Writers Lucie Borleteau, Clara Bourreau and Mathilde Boisseleau | Cinematographer Simon Beaufils | Starring Ariane Labed, Melvil Poupaud | Length 97 minutes || Seen at ICA, London, Tuesday 6 October 2015

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