Fitting into the same general category as The Gatekeepers of a few years back, this new film to grapple with Israeli politics does so through the prism of the ‘Six-Day War’ of 1967, in some ways the foundational conflict of the state of Israel as it’s known today, in which a combined attack from neighbouring Arab states was repelled and new territory annexed. The film draws on recently released audio recordings with young Israelis involved in the fighting (including a young Amos Oz), many of whom were conscripted, and who are distinctly less than gung-ho after the decisive conclusion of the conflict. In order to give the film some visual impact, those same people, now rather old, sit next to the tape recorders and the camera watches their faces as their youthful words are summoned. Amongst this is interwoven archival footage which touches on what’s being discussed (even if, obviously, it’s not precisely of the situations being described). It’s useful once again to be given a sense that a range of democratic opinions are available in Israel, though the legacy of the conflict — an ongoing militarisation in response to a (perhaps not unreasonable) paranoia of being attacked — is not dwelt upon, except as a sort of shadow that lurks in the background. Indeed it’s clear from the final words, when these older participants are given a chance to reflect on their younger selves, that some have hardened in their opinions. However, for its (relatively brief) running time, Censored Voices provides an interesting perspective on a key 20th century conflict that continues to resonate in the region.
Director Mor Loushy מור לושי; Writers Loushy and Daniel Sivan דניאל סיון; Cinematographer Avner Shahaf אבנר שחף; Length 84 minutes.
Seen at Picturehouse Central, London, Monday 19 October 2015.