By the Sea (2015)

There’s something delightfully old-fashioned about this new film by Angelina Jolie (styling herself “Jolie Pitt” in the credits), set in the 1970s and to all purposes a throwback to that era — if not an earlier one indeed (hints of Michelangelo Antonioni perhaps, albeit without that director’s rigorously architectural framing). Needless to say, viewers familiar with the couple’s pairing in Mr. and Mrs. Smith (2005) will probably be taken aback here, as this is unapologetically an ennui-laden erotic thriller, where any eroticism is deeply tied up with voyeurism, not to mention a traumatic event which remains only hinted at for much of the film. The Pitts play a childless couple of 14 years, Vanessa and Roland, who have travelled to a small French seaside town for the summer. Their neighbours in the comfortably-appointed hotel are a newly-married couple on their honeymoon, Léa and François (Mélanie Laurent and Melvil Poupaud). Thus begins a drama of erotic transference in which demons are unearthed, though at a glacial pace weighed down by long, pregnant pauses and periods of relative inactivity — Vanessa is a former dancer who mostly prefers to hide from the world (often under oversized hats), while Roland is a writer who mostly spends his time in the local cafe, drinking and chatting to proprietor Michel (Niels Arestrup). Jolie Pitt gives a steely performance, all the better given her character is so closed off from both the world and even her husband. For me it’s Brad Pitt who’s the weak link here (though he’s a fine actor), and though it seems like this must be quite a personal film, the casting also gives the sense of a vanity project. Needless to say, I think Jolie has crafted something really out of step with the rest of American film culture, and it’s all the more welcome for that.


© Universal Pictures

NEW RELEASE FILM REVIEW
Director/Writer Angelina Jolie [as “Angelina Jolie Pitt”] | Cinematographer Christian Berger | Starring Angelina Jolie, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup | Length 122 minutes || Seen at Picturehouse Central, London, Tuesday 15 December 2015

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