While We’re Young (2014)

Another story of the New York middle classes from its latter-day poet laureate Noah Baumbach, and however insufferable one might expect it to be, While We’re Young actually treads a rather fine and well-judged line for much of its running time. The overall impression by the end is of it being more a drama than a comedy thanks to its extensive disquisition on ethics in documentary filmmaking, but in getting there it does a good deal of wryly amusing legwork as established filmmaker Ben Stiller finds himself being usurped by young pretender Adam Driver. It’s at its strongest in observing the generational differences between Stiller and his wife Naomi Watts, and Driver and his wife Amanda Seyfried, as the older couple find themselves inspired and energised by their youthful counterparts (I suppose one would call them hipsters). Unlike some of the film’s reviewers, I don’t find them particularly ridiculous, but it’s in the nature of Stiller’s characters to overanalyse such things to the point of ridiculousness, and at that he remains a master. Still, I do prefer Baumbach’s looser collaborations with Greta Gerwig (most recently, Mistress America).


FILM REVIEW
Director/Writer Noah Baumbach | Cinematographer Sam Levy | Starring Ben Stiller, Naomi Watts, Adam Driver, Amanda Seyfried, Charles Grodin | Length 97 minutes || Seen at home (streaming), London, Monday 21 December 2015

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