The increasing dominance of Netflix as a source of home entertainment may be decried by many, but it does have the benefit of making more accessible a number of more niche titles that, outside their home country, may never get a cinematic screening and often don’t show up on home media formats at all. As an Asian-American authored science-fiction film, Advantageous has plenty of interest within it, occupying a similar kind of cerebral niche to the works of Shane Carruth, with a frosty understated detachment to the acting that made me think more of Todd Haynes’s Safe, or of Canadian cinema — though that might just as easily be a comparably low budget leading to a future world of largely sterile blankness. However, for a film presumably shot with few enough means, this all looks very polished. Gwen (Jacqueline Kim, also the co-writer) is an executive at a cosmetic surgery company, feeling pressured by the high cost of living in providing for her daughter’s education and whose job is under threat from younger women. Therefore she asks her boss (James Urbaniak) to take her as a test subject in her company’s experimental procedure to transfer a person’s consciousness into a younger body, thereby securing her job and the possibility of a brighter future for her daughter. Naturally there are complications, leading the film to delve into questions of the relative value of youth and racial whiteness within society (there are, unsurprisingly, limited choices as to available body types for the cosmetic procedure). There’s a sustained creepiness to the atmosphere which even encompasses some of the familiar guest actors (Jennifer Ehle and Ken Jeong both pop up, working quite against type), and provides plenty to think about in terms of where we’re all headed.
Director Jennifer Phang | Writers Jacqueline Kim and Jennifer Phang | Cinematographer Richard Wong | Starring Jacqueline Kim, James Urbaniak | Length 90 minutes || Seen at home (streaming), London, Saturday 23 January 2016