Stephen Chow has a directorial reputation for silliness, though I’ve only ever seen one film of his from 20 years ago now (God of Cookery). However, by all accounts, this latest one, a box office blockbuster in its native China, is very much on brand: it is utterly, ridiculously demented. The plot basically involves a colony of half-human mer-creatures (what even is the collective noun for mermaids et al.?) whose existence is threatened by ruthless capitalist Liu Xuan (Deng Chao) and his sea-life-destroying sonar technology. And so the mer-people send out Shan (Lin Yun), the mermaid of the title, to reel him in with her womanly charms, as she shuffles along, her tail awkwardly fitted into socks and shoes. For this effect — and in general throughout the movie — the CGI is pretty ropey, but presumably it’s intended to be, to point up the silliness of the conceit. By the time Xuan’s business partner Ruolan (Zhang Yuqi) is double-crossing him with a view to exterminating these aquatic pests, everything in the plot has become very contorted, but the film continues to throw out all manner of visual gags, while staying grounded in the budding romance between Shan and Xuan. Somewhere in all this there’s a strong message about environmental responsibility, and the power of love to transcend money (and, presumably, biology). Still, it’s all pitched at a sustained level of silliness that doesn’t always cohere, but at least ensures that it remains enjoyable even when the occasional aquatic bloodletting happens.
Pedantic Note: All the marketing calls the movie “The Mermaid” but I’ve gone with the English title appearing on-screen, which omits the definite article.
NEW RELEASE FILM REVIEW
Director Stephen Chow | Writers Hing-ka Chan, Stephen Chow, Chih-chiang Fung, Miu-kei Ho, Ivy Kong, Kelvin Lee, Zhengyu Lu and Kan-cheung Tsang | Cinematographer Sung-fai Choi | Starring Yun Lin, Chao Deng, Yuqi Zhang | Length 94 minutes || Seen at Odeon Panton Stret, London, Wednesday 24 February 2016