I’m not quite sure the extent to which this film has penetrated mainstream consciousness, but like Jeff Nichols’s last film Mud (2012), everyone in the critical community (and online chatterers such as myself) is talking about Midnight Special. Now, I didn’t like Mud, for the most part due to its reliance on coming-of-age archetypes, though I admired the way it opened its story, and its sense of place. Nichols hasn’t strayed too far away geographically for this latest film (it starts in Texas), and again his storytelling instincts are very strong: there’s a palpable sense of mystery and threat that hovers over much of the film from the outset. This may partially be because I didn’t know anything about the film or its subject matter in advance, but really there’s so much mystery embedded in the film — mystery which is never fully resolved — that it creates a strong desire in the audience to want to know more.
Quite whether you’ll be satisfied with how Nichols’s screenplay answers that desire is going to be a matter of difference (I’m not quite sure I am), but the acting within those key roles is rock solid, particularly from the dependably intense Michael Shannon as Roy, and Joel Edgerton as his childhood friend Lucas. We open on a cultish religious community, from whom has been kidnapped a boy, Alton (Jaeden Lieberher); the kidnappers are Roy and Lucas, and Alton turns out to be Roy’s son. This is all set out fairly quickly, but there’s clearly a lot more behind this fairly straightforward set-up, something touching on profound mysteries involving the boy, his origins and powers. In a sense, it’s like a science-fiction blockbuster film refashioned as a low-key indie road movie, which gives it a fascinating dynamic that some have linked to cerebral 70s efforts like those of Steven Spielberg, though perhaps his more recent work A.I. Artificial Intelligence (2000) would be more apposite — Lieberher reminds me particularly of that film’s Haley Joel Osment in both looks and the mysterious blankness of his character.
For me it’s a flawed film with a lot of ambition, but it has the filmmaking nous to be able to realise what it sets out to achieve, especially in those opening stretches.
NEW RELEASE FILM REVIEW
Director/Writer Jeff Nichols | Cinematographer Adam Stone | Starring Michael Shannon, Joel Edgerton, Jaeden Lieberher, Adam Driver, Kirsten Dunst | Length 111 minutes || Seen at Curzon Mayfair, London, Monday 11 April 2016