I was pretty indulgent of this film when it first came out almost 20 years ago, and remember liking it on the big screen, but it was also the last of Kevin Smith’s films I saw and in retrospect I think maybe we just grew apart (I don’t even recognise the titles of some of his more recent works). In truth, my enjoyment of it it may be because I identified somewhat with Ben Affleck’s romantic lead Holden (his ill-advised 90s goatee aside) or maybe, as a friend opines, it’s because it was interesting and relatively unusual to see this geeky subculture of comic books and fan conventions portrayed on screen back then. In any case, it really doesn’t stand up to the test of time (if it ever was any good when I first saw it) and now strikes me as almost amateurish in its style, and in the attitude it takes towards its subject matter — the fluidity of sexuality and romantic desire, specifically as channelled through the character of Alyssa (Joey Lauren Adams), who is a lesbian… or is she??? [Cue this viewer’s heaviest sigh.] Jason Lee as Holden’s sidekick Banky has far more comic energy, even if his puerile fantasising tends towards aggressive hate words (or so they certainly seem now) and it’s not a stretch to see him as the narrow-minded person Kevin Smith indulgently imagines he’s moving away from, and Holden as a caustic self-portrait of himself not being able to deal with others’ sexuality. But I still feel that would be too forgiving to a set of characters who are all fairly one-dimensionally drawn caricatures, as colourful yet as flat as their comic book alter egos.
FILM REVIEW: Criterion Collection
Director/Writer Kevin Smith | Cinematographer David Klein | Starring Ben Affleck, Joey Lauren Adams, Jason Lee | Length 113 minutes || Seen at Rialto, Wellington, December 1997 (and more recently on DVD at a friend’s home, London, Sunday 17 January 2016)