Against the backdrop of mid-50s French cinema, I can imagine that this film by Roger Vadim cleared a path for itself by virtue of the youthful insouciance of its lead actor, Brigitte Bardot — playing Juliette, a liberated young women toying with the affections of a number of men — not to mention the saturated colour of its widescreen cinematography. However, viewed from 60 years on, it seems somewhat inconsequential, though fitfully enjoyable and attractively presented. Her love interests are chiefly two brothers (Christian Marquand as Antoine, and Jean-Louis Trintignant as the younger one, Michel) working in a small independent shipyard, threatened by the interests of local big business (another of Juliette’s love interests, Mr Carradine). The much-remarked-upon sexuality of Bardot in the lead role is (literally) PG-rated now — the film’s poster (and cover art) is largely out of keeping with what we see on screen — and seems almost innocuous given what we are routinely presented with in modern cinema, though her ‘liberated’ character is very far from being feminist.
Criterion Extras: There’s a short piece showing the restoration work, which isn’t the most persuasive extra in the world, as well as a trailer. The Criterion essay included in the booklet gets rather obsessed about Bardot’s bottom, so I’m not clear quite whether this was the sole criterion for inclusion in the collection.
FILM REVIEW: Criterion Collection
Director Roger Vadim | Writers Roger Vadim and Raoul Lévy | Cinematographer Armand Thirard | Starring Brigitte Bardot, Jean-Louis Trintignant, Christian Marquand | Length 95 minutes || Seen at a friend’s home (DVD), London, Sunday 31 January 2016