Another Hitchcockian genre exercise from his greatest directorial fan Brian De Palma (he even uses Bernard Herrmann for the score), this is an enjoyable story of a French-Canadian woman, Danielle (Margot Kidder), with a Siamese twin sister Dominique who appears to be guilty of murdering a man Danielle has brought home. Danielle’s ex-husband/doctor (William Finley) is involved in the intrigue also — he loiters around, keeping an eye on her at all times — and the unravelling of this twisted scenario provides the bulk of the film’s running time. The split identity of Margot Kidder’s character (possibility a split personality, too) is formally invoked by the periodic use of split screen to advance the action, but the truth is never quite clear. The film’s mental health themes are a little heavy-handed for modern audiences but if you see this as a filmic hommage rather than an exploration of personality disorders, it makes more sense, and even allows for an absurdist supporting role for Charles Durning as a PI who seems to be eternally doomed to keep watch on an abandoned couch (I can’t really explain). Still, if it’s hommage, it’s all capably done and executed with flair.
FILM REVIEW: Criterion Collection
Director Brian De Palma | Writers Brian De Palma and Louisa Rose | Cinematographer Gregory Sandor | Starring Margot Kidder, Jennifer Salt, William Finley | Length 92 minutes || Seen at home (DVD), London, Sunday 10 April 2016