Bayou Maharajah (2013)

This film seems to have had a long trail from festivals to release, and as there’s a 2016 date at the end of the credits, I assume there’s been some re-editing in the interim. It’s certainly an interesting piece, not least because its subject is himself an interesting character (James Booker, a multi-talented largely-jazz pianist from New Orleans; black, gay, one-eyed) but also one who is relatively obscure: obviously this isn’t more than anecdotal evidence, but I’d never heard of him. That said, the director here makes the choice to present much of his music in full and that’s a strong statement about the quality of his playing, something a lot of music documentaries (even ones about acknowledged ‘geniuses’) don’t do. And yes those performances are worth watching in full.


NEW RELEASE FILM REVIEW
Director Lily Keber | Writers Lily Keber, Aimée Toledano and Tim Watson | Cinematographer David S. White | Length 90 minutes || Seen at Curzon Bloomsbury, London, Monday 18 July 2016

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