Having recently revisited my previously low opinion on Powell and Pressburger’s The Red Shoes, I’d hoped the same would happen for me with their big beautifully-coloured studio-bound epic of the year before. It’s an exoticist take on India, as Deborah Kerr plays Sister Clodagh, selected to run a new mountain outpost in rural India and swiftly despatched with a selection of other nuns, including the unstable Sister Ruth (Kathleen Byron). The sets and filming is undeniably gorgeous, and there’s a lot of high camp to the proceedings, only heightened by that Technicolor. The fierce competition between Clodagh and Ruth largely takes place across their faces, with Mr Dean (David Farrar) stuck manfully in the middle, dispensing his sardonic advice about how best to get along with the locals. The film’s big misstep is in the whitewashing of Indian roles (with the exception of Sabu’s ‘little’ General), which may be a feature of contemporary filmmaking, but doesn’t make it any easier to watch, much though Jean Simmons in particular does her best to steal her scenes.
FILM REVIEW: Criterion Collection
Directors/Writers Michael Powell and Emeric Pressburger (based on the novel by Rumer Godden) | Cinematographer Jack Cardiff | Starring Deborah Kerr, Kathleen Byron, David Farrar, Sabu, Jean Simmons | Length 100 minutes || Seen at National Library, Wellington, Thursday 20 May 1999 (also on VHS at home, Wellington, April 1998, and most recently on DVD at a friend’s home, London, Sunday 17 April 2016)