Love Jones (1997)

I guess there are elements here that seem dated (no one having cellphones, spoken word clubs, some of the fashion) but they’re part of a rich texture that evokes an era and a place and a group of people — which is to say, Chicago in the late-1990s. Twenty years on and this film is excellent at giving a sense of this group of friends and acquaintances, and what it’s like to be around them. As the film progresses, so from out of the group emerge the two protagonists, Darius and Nina (played by Larenz Tate and Nia Long), who fall in love, sort of, then actually, then not so much. It creates a bewitching atmosphere, never needy and boisterous (like, say, the more overtly comedic The Best Man a couple years later), and never reliant on the ubiquitous 1990s tropes of black filmmaking (drugs, violence, ghettoes). As the star of both those films Nia Long should have been everywhere (maybe she was; her career is a blindspot for me and I need to remedy that), and this director should have defined romance in film for the following decade, but that didn’t happen and who knows why. This is great.


FILM REVIEW
Director/Writer Theodore Witcher | Cinematographer Ernest Holzman | Starring Larenz Tate, Nia Long | Length 108 minutes || Seen at home (DVD), London, Tuesday 10 January 2017

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