I was thinking I’d already seen a film like this one in the Criterion Collection before I came to write it up here and realised I’d seen this film before, years ago. That said, the prison escape thriller is hardly an exotic genre, and some of the procedural matter-of-factness and the way it dwells on little repeated details is very reminiscent of thrillers of the era like Rififi, which likewise focus on elaborate carefully-orchestrated plans made in luminous black-and-white. It all passes very swiftly, as there are plenty of long sequences that are gripping because of all the things you imagine could go wrong. The fact it’s cast with mostly non-professional actors (including one of the chaps involved in the escape upon which the original novel was based) is all the more surprising given they all give the feeling of being seasoned pros — the guy in the poster is a ringer for Sterling Hayden, which is probably why I thought I must have seen him before in something. (The only real professional actor was in The Umbrellas of Cherbourg and Lola, so he is easy to spot, being quite photogenic.) No, this is fine filmmaking at a very granular level, building up character through the tiny accretion of details.
FILM REVIEW: Criterion Collection
Director Jacques Becker | Writers Jacques Becker, José Giovanni and Jean Aurel (based on the novel by Giovanni) | Cinematographer Ghislain Cloquet | Starring Michel Constantin, Jean Keraudy, Philippe Leroy, Raymond Meunier, Marc Michel | Length 132 minutes || Seen at National Library, Wellington, Wednesday 11 October 2000 (and most recently on DVD at a friend’s home, London, Sunday 9 October 2016)