There was a real passion to tell untold women’s stories coming out of the 70s, not in a flashy way but just, as here, on a relatively recent but largely overlooked subject, using archival clips, period music and interviews with the surviving women while they were still around to tell their stories. And they do that, very well. The film takes its name from an iconic figure of the woman factory worker used during World War II, and the women interviewed here tell of their recruitment to the war effort in factories and shipyards et al., then about the issues they faced around discrimination and (for the black workers) racism. The filmmaker cuts in some smug 40s patriarchal voiceover from a contemporary media source to tell us how hard women found the work (with such choice snippets as the women being “not used to working so hard”), as the women recall how after 8-10 hours on the assembly lines they had to come home to cook dinner for their husbands (if around) and families. There’s plenty of other recollections like this, and then about the struggle to keep the same kind of work after the war. It’s all affecting because it’s direct and from the women themselves. It also remains a fascinating story.
Director Connie Field; Cinematographers Bonnie Friedman, Robert Handley, Emiko Omori and Cathy Zheutlin; Length 65 minutes.
Seen at home (streaming), London, Monday 8 May 2017.