Ang Babaeng Humayo (The Woman Who Left, 2016)

At a certain level, this is a classic story of revenge, as Horacia (Charo Santos-Concio) is released from prison after 30 years of false captivity and seeks out the rich man who set her up. However, this is a Lav Diaz film, so events unfold slowly, in high-contrast black-and-white. As Horacia formulates her plan she comes into contact with a number of poor street people, and getting to know them becomes in many ways more important than the plot. It is, then, I suppose a film again about Filipino society (at a specific point in time, the late-90s) but also about time taken away — which is a little bit of meta-commentary for the patient audience, given the usual length of Diaz’s films (though this one is under four hours).


SPECIAL SCREENING FILM REVIEW: Lav Diaz Journeys retrospective
Director/Writer/Cinematographer Lav Diaz | Starring Charo Santos-Concio | Length 228 minutes || Seen at London Gallery West, London, Sunday 5 March 2017

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