Shot in that sort of vérité style that relies (perhaps too much) on handheld camera, this is a fascinating insight into familial dynamics in Nigeria. Amaka (Uche Nwadili) is nearing her 40th birthday, pregnant with her second child, and meanwhile her mother-in-law is desperate to know if it’s a boy so her late husband’s family name can be continued. She even has a contingency second wife lined up for her son, which, needless to say, creates a bit of tension within the household. What’s particularly on point here is that we don’t see any of the male characters exerting this pressure: such is the noxious ingrained nature of patriarchal expectation, it has all been internalised by the women to the extent that they at times literally gang up on Amaka. She has some difficult decisions to make, and even a plot development that leads her to wearing a fake pregnant belly doesn’t seem absurd by the time we’ve got to that point.
Director/Writer Chika Anadu; Cinematographer Monika Lenczewska; Starring Uche Nwadili; Length 114 minutes.
Seen at home (Netflix streaming), London, Monday 6 March 2017.