Much of the filmmaking here is obscured by the contemporary controversy that raged about its sexual content, but watching it 50 years on, you wonder how the audiences sat through so much socialist dialectic, class criticism, and sloganeering (with clear influences from the more agitprop end of Godard) without getting annoyed. The critiques it levels about class in Swedish society are far more acute than anything the film seems to do with sexual mores, as 22-year-old actress Lena repeatedly finds herself with some boring car salesman, while every so often her director Vilgot (the film’s actual director) interrupts the action with some Brechtian alienation, presumably meant to keep the audience awake. It’s sort of fascinating, though, and the high-contrast black-and-white photography makes the accusations of ‘pornography’ seem rather far-fetched.
FILM REVIEW: Criterion Collection
Director/Writer Vilgot Sjöman | Cinematographer Peter Wester | Starring Lena Nyman, Vilgot Sjöman | Length 122 minutes || Seen at a friend’s home (DVD), London, Sunday 12 November 2017