Criterion Sunday 190: 蜘蛛巣城 Kumonosu-jo (Throne of Blood, 1957)

The most striking aspect of this (very loose) adaptation of Shakespeare is the mist that swirls about the characters, especially at the start as they ride about, lost, in “Cobweb Forest”, and again at the end with its strange uncanny trees. The costume design, too, is richly detailed, as Kurosawa transposes the story to feudal Japan, with a number of competing warlords seeking to usurp one another’s power and thus Shakespeare’s story doesn’t seem out of place at all, even within Kurosawa’s own oeuvre. Toshiro Mifune has never been more expressive in his facial acting — perhaps too much so at times — and the persistent sense of imminent danger, as well as those atmospheric effects, remain the finest achievements of this adaptation.


FILM REVIEW: Criterion Collection
Director Akira Kurosawa 黒澤明; Writers Shinobu Hashimoto 橋本忍, Ryuzo Kikushima 菊島隆三, Kurosawa and Hideo Oguni 小国英雄 (based on the play Macbeth by William Shakespeare); Cinematographer Asakazu Nakai 中井朝一; Starring Toshiro Mifune 三船敏郎, Isuzu Yamada 山田五十鈴, Takashi Shimura 志村喬; Length 110 minutes.

Seen at a friend’s home (DVD), London, Sunday 7 January 2018 (and years earlier on TV).

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