Criterion Sunday 210: Nattvardsgästerna (Winter Light, 1963)

The second of Bergman’s loosely-defined faith trilogy, I do much prefer Winter Light to Through a Glass Darkly, though obviously they share a number of threads — the idea of God as a spider, a questioning attitude to the divine presence, many of the same actors and Sven Nykvist’s extraordinary camera. This film has a lugubrious pace, but also, at times, touches of what seem like humour (much the way I find humour in Bresson too: utterly po-faced, but yet somehow not without mischief). Its central character, a priest (Gunnar Björnstrand), is unable to reach God, feels himself a failure, and watches as his congregation dwindles. The film’s title in Swedish is “The Communicants” and there’s a sense in which each character in the film is trying to somehow commune with God. If the previous film posits Love as the connecting force, this seems far more tenuous here, though perhaps there’s something there, like an empathy which Björnstrand’s character so abjectly fails to achieve. One of Bergman’s better works, I think.


FILM REVIEW: Criterion Collection
Director/Writer Ingmar Bergman | Cinematographer Sven Nykvist | Starring Gunnar Björnstrand, Ingrid Thulin, Max von Sydow, Gunnel Lindblom | Length 81 minutes || Seen at a friend’s home (DVD), London, Thursday 5 April 2018

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