Criterion Sunday 220: Naked Lunch (1991)

I worry that this is a film for those who like to vaunt the magisterial status of author William S. Burroughs, or who laud the cinematically outré and self-consciously cultish qualities of David Cronenberg as director — and I assume many of the same people will rep for Fear and Loathing in Las Vegas (Gilliam and/or Thompson) in many of the same ways, or perhaps something out of the filmography of David Lynch. For this is a film about being a writer as well as a habitual user of narcotics, and is made with an attendant kind of insane dream logic that leads to hallucinatory bugs-as-typewriters who speak through anus-like holes and set up complex plots in alternate worlds (the Interzone) that touch as much on Burroughs’ own life (his well-known murder of his spouse for one) as on any kind of verifiable reality. Peter Weller is a capable straight man for this carnivalesque creepshow, which has some of the qualities of Paul Verhoeven’s Total Recall (maybe I’m thinking of the prosthetics) and a typically Gilliam-esque crowded mise en scène, while of course the spirit of Kafka seems to hover over it all… and if any of these swaggering artistic men do not thrill you, then perhaps this is not the project for you.


FILM REVIEW: Criterion Collection
Director/Writer David Cronenberg (based on the novel by William S. Burroughs); Cinematographer Peter Suschitzky; Starring Peter Weller, Judy Davis, Ian Holm, Roy Scheider; Length 115 minutes.

Seen at a friend’s home (DVD), London, Monday 16 July 2018.

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