Criterion Sunday 233: Nora Inu (Stray Dog, 1949)

A fine crime procedural, which follows a young detective (Toshiro Mifune) who has his gun stolen from him in a moment of weariness on a tram, and spends the rest of the film tracking it down, learning along the way the serious consequences of such a breach of attention. It has a noirish hue, as Mifune goes deeper into the sleazy underworld, and throughout there’s a tangible sense of suffocating heat, characters constantly wiping the sweat from their faces, their clothes suffused with damp. It set up Kurosawa’s interest in refining pulpy generic storylines that he’d further pursue in subsequent films with Mifune and over his career.

CRITERION EXTRAS:

  • As with many of the Kurosawa discs, it includes a short documentary about its making, part of a Japanese TV series called It Is Wonderful to Create. The format remains consistent: text-heavy and reliant on interviews, with original archival materials interspersed with the words of surviving collaborators. The art director who worked on the film is interviewed wearing a Guns N Roses t-shirt, so there’s that. The image of Mifune doing a little jig, as relayed by the (then) young co-star, is also amusing.

FILM REVIEW: Criterion Collection
Director Akira Kurosawa | Writers Kurosawa and Ryuzo Kikushima | Cinematographer Asakazu Nakai | Starring Toshiro Mifune, Takashi Shimura | Length 122 minutes || Seen at university library (VHS), Wellington, April 1998 (and most recently on DVD at a friend’s home, London, Sunday 28 October 2018)

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