I gather that the title sort of loosely means “the idle men”, but I like to think of it as “the lads”, because that’s what this film is about, a group of five young men in a small seaside town, who have hopes and aspirations and find them somewhat waylaid in the whirl of life. The film is largely focused on the ladies’ man Fausto (Franco Fabrizi), who despite his early marriage and child finds plenty of time to flirt with other women, though the other four variously come into focus throughout the piece. It’s beautifully shot, with a fantastic sense of framing, as these five men are first seen hanging out with one another, before the framing starts to fracture and they each move into their separate worlds. There are some lovely set-pieces, and a strong sense of a world that’s been left behind, and a nostalgic pull to a certain vision of provincial Italian life (even though this is a film contemporary to when it was made). Perhaps that’s the black-and-white, perhaps it’s just innate in the thematics of the story. But escape from the dreary monotony is an ever-present pull in what is to my mind one of Fellini’s finest films.
FILM REVIEW: Criterion Collection
Director Federico Fellini | Writers Fellini, Tullio Pinelli and Ennio Flaiano | Cinematographers Carlo Carlini, Otello Martelli and Luciano Trasatti | Starring Alberto Sordi, Franco Fabrizi, Franco Interlenghi, Leopoldo Trieste | Length 83 minutes || Seen at National Library, Wellington, Wednesday 16 June 1999 (and most recently on DVD at home, London, Sunday 21 April 2019)