This opens as a grand melodrama of two sisters — one a mousy manicurist trying to eke out a meagre living (expected by her boss to work extra on the side in a rather more personal manner than she wants), the other living the high life as the newly-widowed wife to a millionaire — but quickly starts to loop in grander themes of crime and punishment. Both sisters are played by Dolores del Río (mostly in shot-countershot or using stand-ins, but there’s a split-screen for at least one brief scene), and though they start out with distinct identities, things start to converge for what I shall obliquely refer to as ‘plot reasons’ (and shan’t divulge). The director and cinematographer have a keen eye for interesting framings — not least in a scene shot through a convex mirror, or another climactic scene which lays vast shadows of prison bars over chiaroscuro depths — and the costume designer is no slouch either, especially for a hairpiece which is an entire black bird, its wings outstretched across del Río’s hair, or the prominent jutting shoulder pads worn by Victor Junco’s smarmy Fernando (even in his dressing gown). It all builds towards a grand emotional climax in which the sins of one sister come back to haunt the other.
Director Roberto Gavaldón; Writers Rian James, Gavaldón, José Revueltas and Jack Wagner; Cinematographer Alex Phillips; Starring Dolores del Río, Victor Junco; Length 98 minutes.
Seen at BFI Southbank (NFT3), London, Tuesday 2 July 2019.