This year’s Il Cinema Ritrovato had a strand of films honouring the Ivoirian-based Pan-African film festival FESPACO, and Baara was the grand prize winner at the 6th festival in 1979. Sadly — perhaps to nobody more than the director himself, who expressed as much in a post-film Q&A — there are no good prints left of this film in circulation, though I’ve certainly seen worse than this one, which shows its age with a reddish tint to the colours. One can only hope that this film gets the proper restoration it so very much deserves.
This powerful film sets a mortal struggle against the background of trade unionisation of a corrupt workplace. It features three levels of worker: the humble porter Balla (Baba Niare); the namesake man who comes to be his manager at a factory (Bubukar Keita, who points out that his family, the Traoré, traditionally kept slaves of porter Balla’s one); and the boss of the factory (Balla Moussa Keita), who lives in a villa with an unfaithful wife (Omou Koné). There’s an attentiveness to the politics of work, and to the distinctions of class within this society, as well as little flashes of a more idyllic village life that our hero hopes for, contrasted with the uncaring treatment of undocumented workers by the police in the city.
Director/Writer Souleymane Cissé; Cinematographers Étienne Carton de Grammont and Abdoulaye Sidibé; Starring Baba Niare, Bubukar Keita, Balla Moussa Keita, Omou Koné; Length 90 minutes.
Seen at Cinema Lumière (Sala Scorsese), Bologna, Wednesday 26 June 2019.