The big UK cinematic release in a couple of weeks is It Chapter Two (and the earlier film is being re-released today ahead of that), so to cap a week of horror films on my blog, here’s a review of one of the bigger releases earlier this year whose title also involves a pronoun (though it obviously also plays on the abbreviation of its country of production).
Peele’s first film Get Out was both elegant in its satirical targets, and deeply creepy in the way it unfolded, and I certainly can’t deny his skill at harnessing the horror form. There are lots of shots that are striking in both the way that they are framed, and also in the technical bravura in which performance, camera and score are brought together. Yet I was left feeling that this second film was a little less elegant, especially in some of the way that the mirroring of the title and the setup was resolved towards the end. Whatever my misgivings in this regard, Lupita Nyong’o is fantastic: everyone is quite right about this, and she’s one of my favourite actors anyway. Somehow her eyes seem particularly enormous, and make her seem that much more vulnerable when events take their turn, even if her character is probably the strongest one amongst the family.
In terms of its thematics (which I shall not of course get into details about), I think Peele has put a lot in here to tease out the double-bind of (specifically American) materiality and imperialism, and there’s quite a bit of play around the rise of the subaltern, little hints tying in slavery as well as carceral capitalism, with prisons and schools being repeated reference points — stuff that will only become apparent on re-watching, and may yet further improve my opinion about the film. There’s also a sort of racialised double-consciousness around middle-class identities being enacted — although, this being a Jordan Peele film, it feels refreshingly free of othering tropes around having a Black family at the heart of the film (and Peele has specifically disavowed in interviews that this film is ‘about’ racism). It’s also likely there are deeper, more resonant aspects of this film which escape me; I very much like and admire it, though.
Director/Writer Jordan Peele; Cinematographer Mike Gioulakis; Starring Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph, Elisabeth Moss; Length 116 minutes.
Seen at Curzon Bloomsbury, London, Friday 22 March 2019.