تهران شهر عشق Tehran shahr-e eshgh (Tehran: City of Love, 2018)

I can’t say I was expecting a Nordic-style deadpan multi-strand story of three misfits looking for love from an Iranian film (in a post-screening Q&A the filmmaker quoted Kaurismäki, Roy Andersson and Jim Jarmusch when naming his reference points), though the fact that it’s shot through with a sort of hangdog melancholy feels a bit more in keeping with what I’ve seen from the area. It’s lovely, though, both in its filmmaking and the performances — lots of carefully-composed frontal shots, with very low-key interactions as we watch the characters’ faces carefully for signs of reaction: brief flickering smiles from the cosmetic surgeon’s receptionist Mina (Forough Ghajabagli); anything that’s not utter gloom from funeral singer Vahid (Mehdi Saki); and a hint of same-sex attraction from bodybuilder Hessam (Amir Hessam Bakhtiari). Nothing quite goes as you think it might, but equally nothing goes truly dark, there’s just the constant undercurrent of potentiality as well as absurdity, and it’s sort of lovely to see each of these three characters come out of their respective shells, even briefly.

Film posterCREDITS
Director Ali Jaberansari علی جابر انصاری; Writers Jaberansari and Maryam Najafi مریم نجفی; Cinematographer Mohammad Reza Jahanpanah محمدرضا جهان پناه; Starring Forough Ghajabagli فروغ قجابگلی, Mehdi Saki مهدی ساکی, Amir Hessam Bakhtiari امیرحسام بختیاری, Behnaz Jafari بهناز جعفری; Length 102 minutes.
Seen at Vue West End, London, Friday 19 October 2018.

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