Cinema has never relented in exploring gun violence, especially in America, and Gun Crazy is a key text, a B-movie film noir which has very much stood the test of time.
This feels like some kind of foundational text on the American fixation with gun violence, albeit in the form of a 1940s film (and therefore technically PG-rated). It’s darker and more twisted than that suggests, and for all the sunshine smiling innocent-looking face of John Dall (and, as a teenager in the opening scenes, Russ “Rusty” Tamblyn), he’s clearly not just some naïf who has strayed into the orbit of a dangerous femme fatale, Annie (Peggy Cummins, an Irish-Welsh actor, billed as English in the film, but sounding perfectly transatlantic as all actors seemed to do back then). No, Dall’s Bart has his own violent and criminal urges to deal with, and pretty soon the daily grind of a low-paid straight job starts to tire and they fall into robbing banks to make enough money to keep them in the lives they want. Still, this film (originally released in the UK as Deadly Is the Female) feels more about Annie, the way she spots Bart right away as a fellow traveller in gun obsession, about the look she gets when she’s bored and wants to live a bit more on the edge, and about the obsession she provokes in Bart. She may be painted as the one with the homocidal urges (Bart never kills anyone, though he confesses to wanting to), but she’s a rounded character with her own agency, not just Bart’s fantasy.
Director Joseph H. Lewis; Writers Dalton Trumbo [as “Millard Kaufman”] and MacKinlay Kantor (based on Kantor’s short story); Cinematographer Russell Harlan; Starring Peggy Cummins, John Dall, Russ Tamblyn; Length 87 minutes.
Seen at BFI Southbank (NFT3), London, Monday 29 July 2019.