Criterion Sunday 276: The River (aka Le Fleuve, 1951)

There’s a hint in this Jean Renoir film, made in India in the English language, of contemporary Powell and Pressburger films. Not just from the lush and almost anti-realist colour, but also in a certain colonialist attitude: it’s set amongst British settlers, presumably in the past when it was a colony of the Empire, and concerns three young women and their affections towards a one-legged American ex-serviceman called Capt John (he limps a bit). It’s narrated by the youngest of the three, Harriet (Patricia Walters), who is a writer of sorts, and creates her own narrative for the oldest, who is half-Indian. It all has a languorous air, perhaps because it’s about the last vestiges of colonialism in a newly independent country, or perhaps because of its Western gaze, although it feels like a benign vision of the country compared to some other more orientalist portraits (or a film like Black Narcissus), but I would imagine that’s largely down to Jean Renoir’s sensitivity as a director and writer. Certainly a film that will reward another viewing, I suspect.

CRITERION EXTRAS:

  • There’s an interview with Martin Scorsese, whose Foundation helped in the restoration of the film, and who is unabashedly a big fan of the film. He speaks about his childhood experiences seeing it, about the colour and the staging, about Renoir’s collaboration with Rumer Godden and the humanity that Renoir has for his characters, as well as touching on the colonialist aspects.
  • Renoir introduces the film in a 7-minute filmed introduction made in 1962 (there are similar ones included on other Renoir films in the Criterion Collection). He relates some stories about the production in an avuncular manner, and hints at his (perhaps troubled) collaboration with the producer Ken McEldowney.

FILM REVIEW: Criterion Collection
Director/Writer Jean Renoir (based on the novel by Rumer Godden); Cinematographer Claude Renoir; Starring Patricia Walters, Radha Burnier, Adrienne Corri, Thomas E. Breen, Esmond Knight; Length 99 minutes.

Seen at home (Blu-ray), London, Sunday 17 November 2019.

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