Les Innocentes (The Innocents, 2016)

With some of the same actors as in Paweł Pawlikowski’s recent films Ida and Cold War is this Franco-Polish coproduction, with a more polished costume drama sheen from journeywoman Anne Fontaine, who has made some solid films (I’ve reviewed both Gemma Bovery and Adore on this site, and it’s fair to say I liked one more than the other).


Photographed by Caroline Champetier, there’s an austere beauty to this Poland-set World War II film about nuns in a convent dealing with the outcome of an earlier Russian occupation, with the help of a French Red Cross nurse, Mathilde (Lou de Laâge). It’s a terrifying prospect, even in wartime, and there are no easy answers with this kind of material. Perhaps, then, the truth and the intersection with faith overwhelmed the filmmakers, or perhaps they felt it better to set up the conflicts rather than guide the audience. I found it strangely distanced but I must concede this may be more a matter of my response.

The Innocents film posterCREDITS
Director Anne Fontaine; Writers Sabrina B. Karine, Pascal Bonitzer, Fontaine and Alice Vial; Cinematographer Caroline Champetier; Starring Lou de Laâge, Agata Buzek, Agata Kulesza, Vincent Macaigne, Joanna Kulig; Length 115 minutes.
Seen at Curzon Mayfair, London, Monday 14 November 2016.

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