มะลิลา Malila (Malila: The Farewell Flower, 2017)

Having mentioned there are few women directors in Thai cinema in my recent review of The Island Funeral, it’s good to see a new contingent of Thai women’s voices, not least Anocha Suwichakornpong, whose newest film (co-directed with the British director Ben Rivers) Krabi, 2562 is out on home streaming (via Mubi) today in the UK. Another recent Thai woman making films is transgender director Anucha Boonyawatana, who has made a number of films, and her most recent film is on BFI Player, though I saw it at the BFI Flare film festival a couple of years ago.


It’s very hard to watch this film and not think of Apichatpong Weerasethakul’s mysterious films set in similar lush jungle landscapes, but what’s great about contemporary SE Asian cinema is there are other directors I can call to mind too who are doing similar things, women like Anocha Suwichakornpong or Lao director Mattie Do. What’s striking in all these films, aside from the setting, is the atmosphere and pacing. There are long, quiet stretches which would be ponderous if they weren’t so heavy with feeling between the two lead characters (Sukollawat Kanarot and Anuchit Sapanphong). There are scenes set in a crepuscular half-darkness such that the light glancing off one man’s facial features can easily be imagined as a craggy landscape when you are struggling to stay awake in a warm cinema when you’ve had a few drinks first (that’s on me, not the film), but I prefer to think of that as an oneiric cinematic effect. It’s a film that’s about a relationship between two men on the one hand, but also about the relationship between life and death, specifically refracted through a Buddhist consciousness. The temporality of life is symbolised by the threading together of elaborate jasmine flower arrangements (the malila of the title) which start to wither even as they are created, but it is also literalised in later stretches of the film. It inhabits an enigmatic register, in which the mysteries it suggests are never easily resolved, but there’s a narrative there which is left for the viewer to interpret.

Malila: The Farewell Flower film posterCREDITS
Director Anucha Boonyawatana อนุชา บุญยวรรธนะ; Writers Boonyawatana and Waasuthep Ketpetch วาสุเทพ เกตุเพ็ชร์; Cinematographer Chaiyapruek Chalermpornpanich ชัยพฤกษ์ เฉลิมพรพานิช; Starring Sukollawat Kanarot ศุกลวัฒน์ คณารศ, Anuchit Sapanphong อนุชิต สพันธุ์พงษ์, Sumret Muengput สำเร็จ เมืองพุทธ; Length 94 minutes.
Seen at BFI Southbank (NFT3), London, Friday 30 March 2018.

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