Monos (2019)

As far as revolutionary cinema goes, Monos is very much more about capturing a mood, an intensity to being a guerrilla in the jungle, rather than trading in any particular or specific history. It’s more of a mood piece, and it worked (for me) very well, although critical opinion I’ve seen has certainly been divided. It’s probably not the exemplar of a ‘cinema of resistance’, but it’s about revolutionaries and the idea of resistance.


As an experience of a film, I really liked this. It has a dreamy intensity to it, which starts out as if amongst the legionaries in Beau travail albeit situated in a mountainous and muddy jungle terrain (rather than the heat of Claire Denis’s film) and with teenage revolutionaries in a sort of Lord of the Flies-type dystopia. The Latin American setting and the guerrilla-style warfare that is being undertaken suggests that they are fighting against state suppression and possibly some kind of American military-industrial nexus of capitalist interests, but honestly I’m just reading all that in based on what I’ve seen of South American liberationist history (as it has been portrayed on film at least), and no specifics are ever touched upon here, undoubtedly quite intentionally. However, it has such a concrete sense of place, and evokes such a tangible mood through the movement of the actors in the setting, and the throbbing Mica Levi score, that it achieves something that feels properly cinematic, though perhaps on reflection it’s more of a suggestion of cinema than something fully achieved. What it does evoke is a scenario that could as easily be science-fiction, making it more Hunger Games than Apocalypse Now. Ultimately it feels like more of a cautionary tale about what happens when trust breaks down amongst a group than about any specific socio-political idea, with the curiously gender-non-specific character of Rambo (Sofia Buenaventura) a particular highlight for me. It must have been an intense shoot.

Monos film posterCREDITS
Director Alejandro Landes; Writers Landes and Alexis Dos Santos; Cinematographer Jasper Wolf; Starring Julianne Nicholson, Moisés Arias, Sofia Buenaventura, Julián Giraldo; Length 103 minutes.
Seen at ICA, London, Wednesday 13 November 2019.

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