Orione (2017)

Moving to a rather more obscure Argentine film, a first feature by a young director, which is a documentary but a rather experimental one in form, dealing with the idea of a life and interrogating some of the ways that this person’s life is framed by different voices and authorities.


A strange open-ended documentary about a young man who was shot by the police in a poor suburb of Buenos Aires, this marshals an array of footage — interviews with the mother, police dashboard cameras, dead bodies in a morgue, TV, home video — to present the sense of a place and the idea of a life. The dead young man was a criminal, but he was also his mother’s son, the father to his own child, and a person who had dreams and an upbringing, and part of what the documentary does is just to expand the range of the usual crime procedural documentary to be more about the victim’s entire life, about his surroundings and how he came to be. The interview with the mother is in voiceover as she makes an elaborate birthday cake, again framing the sound of witnesses with the ongoing events of lived experience, and that’s what I take from this film.

Orione film posterCREDITS
Director/Writer/Cinematographer Toia Bonino; Length 65 minutes.
Seen at ICA, London, Sunday 25 November 2018.

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