राजा हरिश्चंद्र Raja Harishchandra (1913)

This is just a brief post, since I’m doing an India-themed week, to cover the first known Indian feature film, albeit one from which only two reels survive (so actually all we have is essentially a short film). However, a recent Indian season at the BFI in 2017 presented it with live accompaniment as part of a programme introducing the season as a whole, and it’s still rather fascinating to a see a glimpse of filmmaking from over a hundred years ago.


Being only a remaining reel or two of what was originally a longer film, and one which touches on Indian mythology at that, meant that I’d never be likely to follow what’s going on. That said, it sticks (as myth often does) to the grand themes of love, betrayal and the restoration of order by a divinity. The screening I saw also had a fantastic performance by a number of excellent traditional musicians so that will stay with me. The film itself, being (what survives of) the first ever Indian feature film is a fascinating document, though it has some nice effects too for what was an industry in its absolute infancy.

CREDITS
Director/Writer Dadasaheb Phalke दादासाहेब फाळके; Cinematographer Trymbak B. Telang திரிம்பாக் பி. தெலாங்கு; Starring D.D. Dabke दत्तात्रय दामोदर दबके, Anna Salunke अण्णा सालुंके; Length 12 minutes [original length 40 minutes].
Seen at BFI Southbank (NFT3), London, Saturday 20 May 2017.

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