Another of the MENA film selections, from Iran, a country with a strong film culture and a number of contemporary women filmmakers. I didn’t perhaps love this the most, mainly because it’s a tough watch and quite a wrenching and tragic story, but it has real filmmaking chops.
There is a lot of crying in this film, not least because it takes a trajectory of family tragedy, compounded by illiberal patriarchal restrictions which filter through a number of characters within the film. It’s difficult to always follow the contortions that mother Sara (Sahar Dolatshahi) goes to in order to maintain her status in her husband’s (Pejman Jamshidi) eyes after the tragedy strikes, but you get that they are grounded in a sense of shock or hopelessness. There are no rewards at the end, and even a brief detente seems to lead into further spiralling guilt on the mother’s behalf. However, it’s all shot in elegant widescreen and is put together nicely, enough I think to allow you to follow Sara even in her darker moments.
Director/Writer Farnoosh Samadi فرنوش صمدی; Cinematographer Masoud Salami مسعود سلامی; Starring Sahar Dolatshahi سحر دولتشاهی, Pejman Jamshidi پژمان جمشیدی; Length 83 minutes.
Seen at home (BFI Player streaming), London, Friday 9 October 2020.